• Genre
  • About
  • Submissions
  • Donate
  • Search
Menu

Speakola

All Speeches Great and Small
  • Genre
  • About
  • Submissions
  • Donate
  • Search

Clare Wright: 'Discord in voices, female voices, are still seen to belong to wicked witches and evil stepmothers', Breakthrough '16, VWT - 2016

August 31, 2017

25 November 2015, Melbourne Town Hall, Melbourne, Australia

Thank you so much, Anna. What a great looking stage we’ve got here, hey? And I have to say that the view from the stage looking down is extraordinary as well. Thank you all for coming out, it’s an amazing day. In keeping with the spirit of reconciliation I’d like to start by acknowledging the traditional owners of the land on which we gather today. The Wurundjeri people of the Kulin Nation, and pay my respects to their elders past, present and emerging. I recognise that this has always been a place of discussion and debate, and I recognise that Aboriginal sovereignty has never been ceded.

I’m going to start today with a confession….my confession is that I have no idea what’s going on on the screen right now. Aha, lets try that again. Thank you, I assume Marie Claire is one of the sponsors of Breakthrough?

-Laughter-

Oh hello, there we go. I want to start today with another confession; I am a surfy chick. Sure I might have cheered along with the rest of my 12 year old friends when Debbie and Sue took their board out into the water at the end of the 1981 version of Puberty Blues, but my feet remained on dry land (third confession; not very good at PowerPoints). My feet stayed firmly planted there, even when I fell in love with a surfer when I was 19. From the safety of many a rocky headland, many a windswept beach, I have watched that man. Now our teenage sons ride those waves, those glorious, exhilarating waves. Our 11 year old daughter has just started to go “out the back” with her brothers. She’s much braver than me, but I’d like to think that I know a thing or two about waves. Here are some of the things that I know.

Waves are mainly a product of wind. The greater the winds force, the bigger the wave. Secondly, the friction created by wind on water forms a travelling circular mass of energy, and this is called swell. When swell reaches the coast, waves break in sets. Then the backwash from waves hitting the land returns the water and energy to the ocean. Force, friction, energy, swell, backwash. No wonder the international feminist movements peak achievements have been described through the metaphor of waves.

First wave feminism is defined by Wikipedia as “a period of feminist activity and thought that occurred within the time period of the early 20th century, throughout the world.” This is the time extending over at least six decades, and many more in some countries, where women fought for their right to be franchised. Their legal entitlement as citizens, under the democratic principal of “no taxation without representation”. This was a political revolution.

Second wave feminism, is Wiki-defined as, “a period of feminist activity and thought that first began in the early 1960’s in The United States, and eventually spread throughout the Western World and beyond. Now this is the time when women, now largely included in the civic body, protested the right to control over their corporal bodies. The personal, was now political. This is the era of women’s lib, the sexual revolution. Personally, I tend to think of these two key historical periods as the two V’s. First wave feminism was all about the vote, and second wave feminism was all about the vagina.

Now this is a crude short hand to be sure, both waves of activism campaigned for gender equality across a range of issues. But there is more to women’s history than these twin peaks of paradigm shifting success. Of course there is. To assume otherwise would be like saying that World War One and World War Two existed in isolation, with modern history devoid of any other instances of armed combat. Clearly, movements for social change, like international conflicts exist along a continuum. But can I ask you this, how much do we know about the history of women’s political activism in Australia? I’ll put this question to you in another way; did you know that there were women behind the rickety fortification of the Eureka Stockade, on that fateful morning of the 3rd of December in 1854? An event we all learned about in school?

Or that British troops opened fire that day on a white civilian population, which unmistakably included women and children. Killing at least one woman. Or that women were central to the community rebelliousness that cumulated in the event that we have come to know as the birthplace of Australian democracy? Did you know that the Women’s Christian Temperance Union actively supported the stalwart men and women who carried out the Pilbara pastor strike of 1946 to 1949? The longest running strike in Australia’s history, sometimes known as the Blackfella’s Eureka. And did you know that one of the most active participants in the Australians civil rights movements was Faith Bandler, an Indigenous woman from Murwillumbah who served in the Australian Women’s Land Army before becoming a full time activist in the 1950’s?

Bandler lead the campaign for reform that cumulated in the successful 1967 referendum to remove racially discriminative clauses from our constitution. Well, probably not, and that’s because there are more ways to silence inconvenient truths. Like the fact that women have historically protested, organised, networked, and advocated for their sex, their families, their communities, and their country. There are more ways to silence truths than by denying women access to the vote, to education, to legal autonomy, or indeed to knowledge of our own history. It is no accident that erasing women from history is one of the mechanisms used to ensure the visibility and viability of patriarchal structures of dominance and control. If knowledge is power, it’s fundamentally disempowering for women if their stories remain secreted in the archives, or confined to academic circles or local knowledge.

How can we know what we are capable of accomplishing, enduring, resisting, overcoming, if we don’t understand how women before us have negotiated their lives? This is another great Australian silence. A silence that perpetuates the myth of exclusive male agency and male potency, and by implication, presumed historical absence from the places and events of nation building, also provides the rationale for male privilege and male entitlement today.

Just because you didn’t learn about it in schools, doesn’t mean that it didn’t happen. I now want to give you some examples of women acting in ways that were adversarial, confrontational and risk taking. That is, acting in ways that if performed by male protagonists, would be considered to show leadership and valour.

The 19th century female factories in New South Wales and Tasmania for example, where an estimated 9,000 convict women worked for no pay, to manufacture commodities like spun wool, cotton and linen. On which the new colonies relied for both domestic use and export. In 1827, the women declared that they’d had enough. A riot at the Parramatta female factory over a cut in rations and poor conditions is considered to be the first industrial action staged by women in Australia. Fun fact: when the Parramatta female factory was closed 21 years later, the building was reassigned as a lunatic asylum.

Then, there are the women of the Cascades factory in Tasmania, who in 1838 staged their own version of the Misogyny Speech. The inmates of this forced labour camp were being lectured on morality by a visiting preacher. A witness recorded what happened next: “Growing weary of his cant, the 300 women turned right around and at one impulse pulled up their clothes, showing their naked posteriors, which they simultaneously smacked with their hands, making a loud and not very musical noise.” I reckon this may have been Australia’s first example of a flash mob, or maybe twerking.

Now another rowdy woman was Fanny Balbuk, a Noongar woman born in 1840. Fanny was prominent in her day for protesting against the occupation of her traditional lands south of Perth. Daisy Bates, who met Fanny in the 1930’s, wrote that “to the end of her life, she raged and stormed at the usurping of her beloved home ground. Through fences and over them, Balbuk took the straight track to the end. When a house was built in the way, she broke its fence palings with her digging stick and charged up the steps and through the rooms.”

Now, at the height of a miners strike in Plunes in 1876, an unnamed woman was also raging and storming. This time, against scab labour employed by the mine. A contemporary later wrote, “nearby was a heap of road metal, and arming herself with a few stones, a sturdy north of Ireland woman without shoes or stockings mounted the barricade as the coaches drew up. As she did, she called to the other women saying, “come on you cousin ginnies! Bring me the stones and I will fire them!” Forth confession, I can’t do an Irish accent. When a policeman raised his gun at the woman, she lifted her shirt, bared her breasts and spat, “shoot away and be damned to ya! Better be shot than starved to death.”

Let me introduce you now, to Ellen Young. An educated English woman who had a different tactic for making herself heard. Ellen was the member of a Ballarat mining community, who witnessed first hand the grievances of the diggers in 1854. She wrote directly to governor Hotham to state the diggers case, as well as penning fiery letters to the editor of the Ballarat times to mobilise grassroots support. In one letter, she provocatively declared, “we, the people, demand cheap land, just magistrates to be represented in the legislative council; in fact, treated as the free subjects of a great nation.” These were fighting words.

In 1917, anti-war campaigner Adela Pankhurst was jailed for her role in inciting riots at the height of the general strike that had crippled wartime Melbourne. Working class women had shouldered a disproportionate amount of the economic burden of war, with food rationing and other austerity measures. The riots that happened just a few blocks away from here involved ten thousand women and their male supporters, rampaging through the CBD smashing shop windows and destroying property. This was not one night of mayhem, but the sustained series of orchestrated attacks on the political and commercial elite.

Now you could write a whole history of women chaining themselves to things.  Take Zelda Fay D’Aprano, an orthodox Jewish woman who left school at 14. Zelda spent most of her life fighting against the injustice she witnessed on the factory floor. When the meat workers union lost a test case for equal pay in 1969, Zelda chained herself across the entrance to the commonwealth building in Melbourne. She was cut free by police, only to lock herself to the arbitration court gates three days later. Then there’s Merle Thornton and Rosalie Bogner, academics of the University of Queensland, who chained themselves to the foot rail of the “male only” public bar at The Regatta Hotel in Brisbane in 1965. Their actions sparked a wave of copycat self-incarcerations in Australian pubs.

Perhaps police could blame Muriel Matters, for the sudden demand for bolt cutters. Muriel was an Adelaide born suffrage campaigner. After South Australia became only the second jurisdiction in the world where women had won the right to vote in 1894, following New Zealand in 1893, Muriel went to England to help spread the gospel of female enfranchisement. In 1908 Muriel chained herself to the grill of the ladies gallery in the House of Commons. The grill was built to obscure the view of women of parliamentary proceedings. The whole grill had to be cut away, with Muriel still attached to it, before a blacksmith could release her. Muriel was latter sentenced to one month in Holloway prison, where British suffragettes famously staged hunger strikes and were force-fed.

Another Muriel, Muriel Henney campaigned for equal pay for Australian women for over 50 years. Muriel was a convent-educated girl from Richmond, who saw wage inequality as the major obstacle to the achievement of equal opportunity status for women. She died in poverty on the 19th of May 1974 (my fifth birthday as it happens) just one week after the wage case granted equal minimum wages to men and women.

My favourite feminist, Vida Goldstein, did not die in poverty but certainly obscurity at the age of 80 in 1949. Vida was born into protestant squattocracy, but went on to spearhead the suffrage campaign that saw Australia become the first nation in the world where white women won equal political rights with men. That is the right to vote and to stand for parliament. She travelled to America to represent Australia and New Zealand at the first international suffrage convention, and there she was greeted with a rock star reception.

Zelda D’Aprano, by the way, is still alive today, she’s 98, and I happened to see that there was a tag for her outside so I hope maybe she’s here. Let’s not forget too the hundreds of women’s organisations that have not been outwardly feminists, but have been instrumental in changing the conditions of daily life of women in this country. I’m thinking here of the Australian Women’s National League, the Country Women’s Association, and the Housewives Association just to name a few. All of these nominally conservative organisations have in one way or another advocated for improvements to the status of women and girls.

So apart from making for a nice slideshow, does knowing anything about these women and their actions make any difference to the price of fish? Well I think it does, and this is the reason why. We have a lost heritage of women’s political activism in Australia, in this country. An activism that had its roots in popular mass movements that included both men and women. Men and women have both historically stood together on common ground. What did Ellen Young say? “We the people, too, loudly profess our mutual commitment to notions of fairness, justice and autonomy.” Women have consistently and courageously defended the right to free speech, to freedom of assembly, and to freedom of the press as well as to women’s rights and human rights more generally. This collective historical memory is important for present and future democratic activism and change. Creating change, real game changing change is hard work, as we’ve certainly seen, as Ann demonstrated in the American election campaign.

If we understand that Australian women, as well as men, have been historically vigilant and hardworking, might not that inspire more of todays women to honour the legacy of those actions? But more than that, to know that women acted in ways that were anti-authoritarian, rebellious, and designed to kick up a stink makes a difference because it reminds us that, as the folk singer Glen Tomasetti sang, “it rarely pays to be too polite, girls”.

The lost heritage of female activism that had its roots in popular mass movements also matters because discord in voices, female voices, are still seen to belong to wicked witches and evil stepmothers. Whiners and wowzers, what was the latest incarnation of that? Fright bats, or nasty women. Not female diggers, mates, and outlaws, our national larrikin icons. We need to understand women’s relationship to citizenship in order to affirm their sense of entitlement to participate in public discourses and occupy key cultural spaces.

I’ll give you one example of how historical consciousness, the female strategies for social change, might work on the ground. Now I can find no evidence to suggest that the women, who marshalled the now famous Monster Petition for women’s suffrage in Victoria in 1891, drew inspiration from the memory of earlier female activism to bolster their cause. In this action, women collected 30 000 names in six weeks, responding to premier James Munro’s promise that if the women of Victoria could demonstrate that they actually wanted the vote, he would introduce a franchise bill. The Monster Petition was the largest yet put before an Australian colonial parliament, although Victorian women didn’t actually win the vote until 1908.

Now the symbolism of the Monster suffrage petition was recently invoked when a group of 12 prominent Australian women organised by Judith Pratt and Mary Crooks, and led by professor Fiona Stanley, started the Monster Climate Petition. The Monster Climate petition called on the Federal Parliament to join in bipartisan action on climate change. Following in the footsteps of the 1891 suffragettes, over 70 000 pen and ink signatures were collected, mainly by women, in just over six weeks. Making the petition the fourth largest to be introduced to the Australian House of Representatives. Now the petition, as we can see here, was presented to parliament on the 3rd of December in 2014. Coincidentally, the 160th anniversary of the Eureka Stockade.

If women were included in our public narratives of mateship, sacrifice, solidarity and service, might not that breed respect and empathy across the gender-divide? And if we wrote some new narratives of reconciliation, healing, and responsibility and care, might not that bode well for our collective spirit? Our environment, and our planet alike? Don’t get me wrong, I’m not saying that women have always done great deeds for virtuous reasons in the past. Women have been colonisers, racists, and enablers of oppressive class structures that limit the lives of other women. But I do believe that gender equality is achieved when we recognise that women to have been agents in the past. That women to have been shapers of their own and others destinies. In other words, that women to have made history. The only way we will understand that we can make history today is when we fully appreciate just how much impact we have made in the past. And as I hope I have demonstrated, we have our own hero’s to guide our path and give strength to our arms. We have Ellen, we have Vida, we have the Muriels, we have Murel, Zelda, and Fanny. We have faith. We are all standing on the sturdy shoulders of those who have come before us. Some giants, some totems. And some of those shoulders don’t just happen to belong to women, there is nothing incidental or accidental about the platforms they’ve provided. Women deliberately, carefully and creatively built the edifice of their political and civic contributions of who we are today.

In 1869, when Vida Goldstein was born, it would seem absurd that any woman would ever be able to vote. By her death in 1949, women in almost 100 countries had been franchised, and Vida herself stood for parliament five times. I was born in 1969, and even a century after Vida, I can hardly dare to imagine what women will achieve for gender equality in my lifetime. I honestly quiver in excitement at the prospect.

The limitation for the wave metaphor, in framing women’s historical impact, is the implication that those two momentous movements, first and second wave feminism, surged, peaked, then pleated out and disappeared. This process would describe tsunami’s, not waves. Waves keep on coming, the inevitable, relentless result of friction and energy. Waves never stop rolling in, because there will never not be force and friction, energy, swell, and backwash that will pull us back into the deep. Waves build, they crest, and they subside. And then they build again. What’s more, you need the wind, the oppositional force to create a wave. As any surfer, or surfy chick knows, if the wind is going with the wave, the energy is dissipated and all you get is slob. In the face of opposition, women like waves will continue to rise, break, and rise again. The cause of gender equality, like the ocean, is bigger than me, or you, or all of use in this room today. It is certainly bigger and more potent than the break walls and sandbags of male privilege. No wonder the institutions, instruments and practitioners of gender discrimination, have been and still are afraid. They should be afraid. There is a wall of living energy hurdling towards them.

It seems to me that we, the people, have three options in the face of such a threat to our sense of mastery and control. We can duck under, hoping that we can dive deep enough to avoid the turbulence before the next wave breaks. We can misjudge the take off, squib at the last minute, and get wiped out by our ignorance and cowardice. Or we can get up, stand up, and enjoy this most wild ride called freedom. Thank you.

The Breakthrough 16 event was organised by the Victorian Women's Trust. This speech was reposted from VWT website with permission. Clare Wright is a documentary maker and award winning author and historian who won the Stella Prize for 'The Forgotten Heroes of Eureka'. She has other speeches on Speakola, including 'Epic Fail' about post natal depression.

 

Richard Denniss.jpg

Related content: This Breakthrough 16 speech by economist Richard Denniss was delivered at the same event. It's about the mistaken beliefs that hold women back.

Source: https://www.vwt.org.au/clare-wright-waves-...

Enjoyed this speech? Speakola is a labour of love and I’d be very grateful if you would share, tweet or like it. Thank you.

Facebook Twitter Facebook
In EQUALITY 2 Tags CLARE WRIGHT, MAKING WAVES MAKING HISTORY, WOMEN, BREAKTHROUGH '16, FEMINISM, GENDER EQUALITY, TRANSCRIPT
Comment

Clare Wright: 'The Year My Brain Broke', Epic Fail event - 2014

September 3, 2015

30 July, 2014, Wheeler Centre, Melbourne, Australia

You have been promised a night of tales guaranteed to amuse.

I so wish that I had a funny story to tell you tonight.

I wish I was one of the performers in the annual Melbourne Comedy Festival event, Best Comedians, Worst Gigs, so that I could have you all in stitches as I regaled you with anecdotes of falling flat on my face in front of an audience: side-splittingly self-deprecating tales of humiliation, mockery and disgrace that only go to prove what a good comedian I really am.

I wish I could tell you about the time that I toppled into a swimming pool at the wake of a prominent sporty identity and had to wear the deceased’s clothes all night until my sodden ones had been put through the dryer.  Unfortunately, that was my husband in the pool, a banana peel moment of truly epic proportions.

I even wish I could tell you about the multiple rejections I received for my recent award-winning book and how, after a decade of work, I thought it would be exiled to the Orphanage for Abandoned Manuscripts before being miraculously rescued from obscurity and skyrocketing to stellar success.  But this is not what happened, and the truth — a bidding war between multiple publishers — is not the stuff of short poppy glory.

In fact there is little in my CV that would suggest I should be standing here on this pedestal of failure tonight.  I was a straight-A student at a select entry high school for academically gifted girls.  I achieved a perfect 100% for my HSC English exam.  I received First Class Honours for my Bachelor and Masters degrees and my PhD thesis won the prize for the best doctoral work in my discipline.  I have been awarded merit-based scholarships for all my tertiary courses, and a federal grant for my postdoctoral research.  My books have been on the best-sellers lists. My television documentary was a critical triumph, and my new documentary series will hit the screens on 19 August.  So no belly flops or banana peels there.

My domestic life is pretty cozy too.  I met the love of my life in first-year university and my husband and I have now been together for twenty-six years.  (All of them bliss, he would say with only the hint of an impudent smile.)  Together we are raising three delightful, healthy children, whose company we prefer to most other human or technological interaction.  Our warm and hospitable suburban home is filled with food, love and laughter.  We have an open door policy with friends and wildlife alike.  At the moment we are breaking bread with a dog, two cats, four rabbits, twelve guinea pigs and the ever-present chooks.    We have a beach house.

So it’s perhaps odd that when I was asked by the Wheeler Centre to participate in tonight’s panel, I knew immediately and instinctively what I would talk about.  For me, the two little words ‘epic fail’ cast me straight back to a moment so vivid and visceral it could be yesterday.

But it is seven years ago and I am in a car.  I am in my little navy blue Golf and I am driving back home to my beloved husband and beautiful family from a doctor’s appointment.  I have spent two hours talking to this doctor — a woman I have never met before but who has kindly spared me eight of her precious 15 minutes appointment slots and bulk-billed me to boot.  It is raining.  Or maybe it is not raining but I am crying so hard that my memory requires windshield wipers to hone its field of vision.

I am in a state but I am also in a car so I’m stopping at traffic lights and watching out for pedestrians.  And I’m talking out loud to myself, repeating two short sentences in a spin cycle of fear and self-loathing.

I’m sorry.  I have failed.  I’m sorry.  I have failed.  I’m sorry.

I drive and I cry and I chant this mantra to the rhythm of the rain.  Or perhaps into the blinding sunshine. Does it matter? I have no idea who I’m apologizing to.  But I know without a shadow of a doubt what I’m apologizing for: I have failed.

Later, I would come to think of 2007 as The Year My Brain Broke.  But there in the car that day all I knew was that I’d left the doctor’s office with a prescription for antidepressants, a referral to a psychiatrist, and the assurance that ‘no strength of character or force of will’ would get me through this.

But what was this?  This feeling of utter incompetence.  This knowledge of my complete inability to pull myself up by my bootstraps.  This incapacity to count my blessings.  This malfunction of every system I had ever put in place to stave of disaster, avert catastrophe and neutralize chaos.

According to the doctor — who I had to admit was a highly skilled professional who had not merely raised her eyes above her glasses at me and reached for her prescription pad but rather listened while I oozed gloom for two whole hours — according to this doctor I had severe clinical postnatal depression.

My third child, my only daughter, had been born two and a half years earlier. We were instantly bonded in a deep and abiding connection.  Every photo shows me beaming with pride and joy.  With her birth I experienced a deep sense of fulfillment and a circle that I wasn’t aware was broken had finally closed.

And yet…

For at least two years, I had struggled with the daily challenge to scale the summit of my own wretchedness.  Most days were like snorkeling through tar.  Dark, heavy, suffocating days punctuated by panic and a generalized sense of impending doom.  I experienced waking hallucinations of my baby toppling down the stairs.  A bomb in her pusher.  Snakes crawling next to the bunny rug where she kicked happily in the back yard.  At night when I slept, if I slept, which was rarely, I dreamed I was falling into a black abyss.  “So this is what it’s like” I’d think wistfully as I plummeted into the void, right before I woke bolt upright, mouth dry, heart racing.

But this couldn’t be postnatal depression, could it?  Depressed mums didn’t get out of bed, and cried all day, and shouted at people, and didn’t want to touch their babies, and were afraid they might hurt them.  I wasn’t any of these things.  I went to work, wrote and published, appeared on tv shows and made intelligent, amusing speeches.  I had a hot meal on the table every night, and clean school uniforms in the cupboards.  I had clean hair and happy kids.

Yes, I often felt red raw when watching the news or reading the paper, like my skin had been peeled away, gleaning on some deep gut level that it was my fault that a man had thrown his child off a bridge, or a group of teenagers had been mown down by a drunk driver, or a baby’s pusher had blown on the train tracks in a big wind.

And yes, I often started walking to the supermarket, or the swimming pool, or a café to meet friends, only to find myself frozen to the spot, certain that going to that place or doing that activity was wrong, and that I should have made a different decision, a better decision, and if I’d made THAT decision I wouldn’t be here, now, walking around in circles, unable to make up my mind whether to stay or go, pumped full of adrenalin, without a single good reason why I should either fight or take flight, but nonetheless primed for battle, certain I was going mad.

On the outside, I was a solid citizen.  On the inside, I had fractured into a million little pieces.

But it was not until 45 year-old Audrey Fagan, Chief Police Office of the ACT, was found hanging in her hotel room on a Queensland tropical island in April 2007 that I started to grasp that something was seriously wrong with me beyond my own failure to stop myself from feeling so rotten and acting so crazy. 

Stories on Fagan’s death all took the same line: why would such a competent, meticulous, successful mentor and mother take her own life? ‘Awesome mum solved all problems but her own’ read one headline. Amanda Vanstone was quoted saying “She was always happy, there was never any nastiness about her, she got along well with everybody." AFP Commissioner Mick Keelty said: "She was a very professional, very strong woman, and I think that's what has surprised all of us, that because she was such a strong woman, such a determined woman, it's a great lesson to all of us that everybody is vulnerable."

None of the articles said that Audrey Fagan had depression, though one story published in the Good Weekend magazine a few months after her death implied it.

Reading that piece at my kitchen table, I felt such a profound affinity with Fagan that my blood ran cold.  It was not long after that I found myself a doctor. 

Now that I am well again, I know, of course, that confronting the full force of my own vulnerability was not an epic fail.  In fact, it was the complete opposite.  Only I could make the decision to step back from the brink of the abyss.  Only I could start to love myself the way my friends and family loved me.  I had to find out for myself that life is not a performance sport; that achievement is a state of grace, not the sum total of relentless activity; that ego might not be a dirty work, but it can be a ruthless taskmaster; and that hard work often brings just rewards, but it’s not what sets you free.

Clare is a guest on episode 49 of the Speakola podcast


Source: http://www.wheelercentre.com/broadcasts/ep...

Enjoyed this speech? Speakola is a labour of love and I’d be very grateful if you would share, tweet or like it. Thank you.

Facebook Twitter Facebook
In HEALTH 2 Tags CLARE WRIGHT, DEPRESSION, POST-NATAL DEPRESSION, MOTHER, PARENT, MEDICAL, HEALTH, FAIL, TRANSCRIPT
Comment

See my film!

Limited Australian Season

March 2025

Details and ticket bookings at

angeandtheboss.com

Support Speakola

Hi speech lovers,
With costs of hosting website and podcast, this labour of love has become a difficult financial proposition in recent times. If you can afford a donation, it will help Speakola survive and prosper.

Best wishes,
Tony Wilson.

Become a Patron!

Learn more about supporting Speakola.

Featured political

Featured
Jon Stewart: "They responded in five seconds", 9-11 first responders, Address to Congress - 2019
Jon Stewart: "They responded in five seconds", 9-11 first responders, Address to Congress - 2019
Jacinda Ardern: 'They were New Zealanders. They are us', Address to Parliament following Christchurch massacre - 2019
Jacinda Ardern: 'They were New Zealanders. They are us', Address to Parliament following Christchurch massacre - 2019
Dolores Ibárruri: "¡No Pasarán!, They shall not pass!', Defense of 2nd Spanish Republic - 1936
Dolores Ibárruri: "¡No Pasarán!, They shall not pass!', Defense of 2nd Spanish Republic - 1936
Jimmy Reid: 'A rat race is for rats. We're not rats', Rectorial address, Glasgow University - 1972
Jimmy Reid: 'A rat race is for rats. We're not rats', Rectorial address, Glasgow University - 1972

Featured eulogies

Featured
For Geoffrey Tozer: 'I have to say we all let him down', by Paul Keating - 2009
For Geoffrey Tozer: 'I have to say we all let him down', by Paul Keating - 2009
for James Baldwin: 'Jimmy. You crowned us', by Toni Morrison - 1988
for James Baldwin: 'Jimmy. You crowned us', by Toni Morrison - 1988
for Michael Gordon: '13 days ago my Dad’s big, beautiful, generous heart suddenly stopped beating', by Scott and Sarah Gordon - 2018
for Michael Gordon: '13 days ago my Dad’s big, beautiful, generous heart suddenly stopped beating', by Scott and Sarah Gordon - 2018

Featured commencement

Featured
Tara Westover: 'Your avatar isn't real, it isn't terribly far from a lie', The Un-Instagrammable Self, Northeastern University - 2019
Tara Westover: 'Your avatar isn't real, it isn't terribly far from a lie', The Un-Instagrammable Self, Northeastern University - 2019
Tim Minchin: 'Being an artist requires massive reserves of self-belief', WAAPA - 2019
Tim Minchin: 'Being an artist requires massive reserves of self-belief', WAAPA - 2019
Atul Gawande: 'Curiosity and What Equality Really Means', UCLA Medical School - 2018
Atul Gawande: 'Curiosity and What Equality Really Means', UCLA Medical School - 2018
Abby Wambach: 'We are the wolves', Barnard College - 2018
Abby Wambach: 'We are the wolves', Barnard College - 2018
Eric Idle: 'America is 300 million people all walking in the same direction, singing 'I Did It My Way'', Whitman College - 2013
Eric Idle: 'America is 300 million people all walking in the same direction, singing 'I Did It My Way'', Whitman College - 2013
Shirley Chisholm: ;America has gone to sleep', Greenfield High School - 1983
Shirley Chisholm: ;America has gone to sleep', Greenfield High School - 1983

Featured sport

Featured
Joe Marler: 'Get back on the horse', Harlequins v Bath pre game interview - 2019
Joe Marler: 'Get back on the horse', Harlequins v Bath pre game interview - 2019
Ray Lewis : 'The greatest pain of my life is the reason I'm standing here today', 52 Cards -
Ray Lewis : 'The greatest pain of my life is the reason I'm standing here today', 52 Cards -
Mel Jones: 'If she was Bradman on the field, she was definitely Keith Miller off the field', Betty Wilson's induction into Australian Cricket Hall of Fame - 2017
Mel Jones: 'If she was Bradman on the field, she was definitely Keith Miller off the field', Betty Wilson's induction into Australian Cricket Hall of Fame - 2017
Jeff Thomson: 'It’s all those people that help you as kids', Hall of Fame - 2016
Jeff Thomson: 'It’s all those people that help you as kids', Hall of Fame - 2016

Fresh Tweets

  • Tony Wilson
    “Just because we own these teams doesn’t mean they belong to us” — beautiful, beautiful speech from Rebecca on Ted… https://t.co/gmDSATppss
    May 17, 2023, 11:51 PM

Featured weddings

Featured
Dan Angelucci: 'The Best (Best Man) Speech of all time', for Don and Katherine - 2019
Dan Angelucci: 'The Best (Best Man) Speech of all time', for Don and Katherine - 2019
Hallerman Sisters: 'Oh sister now we have to let you gooooo!' for Caitlin & Johnny - 2015
Hallerman Sisters: 'Oh sister now we have to let you gooooo!' for Caitlin & Johnny - 2015
Korey Soderman (via Kyle): 'All our lives I have used my voice to help Korey express his thoughts, so today, like always, I will be my brother’s voice' for Kyle and Jess - 2014
Korey Soderman (via Kyle): 'All our lives I have used my voice to help Korey express his thoughts, so today, like always, I will be my brother’s voice' for Kyle and Jess - 2014

Featured Arts

Featured
Bruce Springsteen: 'They're keepers of some of the most beautiful sonic architecture in rock and roll', Induction U2 into Rock Hall of Fame - 2005
Bruce Springsteen: 'They're keepers of some of the most beautiful sonic architecture in rock and roll', Induction U2 into Rock Hall of Fame - 2005
Olivia Colman: 'Done that bit. I think I have done that bit', BAFTA acceptance, Leading Actress - 2019
Olivia Colman: 'Done that bit. I think I have done that bit', BAFTA acceptance, Leading Actress - 2019
Axel Scheffler: 'The book wasn't called 'No Room on the Broom!', Illustrator of the Year, British Book Awards - 2018
Axel Scheffler: 'The book wasn't called 'No Room on the Broom!', Illustrator of the Year, British Book Awards - 2018
Tina Fey: 'Only in comedy is an obedient white girl from the suburbs a diversity candidate', Kennedy Center Mark Twain Award -  2010
Tina Fey: 'Only in comedy is an obedient white girl from the suburbs a diversity candidate', Kennedy Center Mark Twain Award - 2010

Featured Debates

Featured
Sacha Baron Cohen: 'Just think what Goebbels might have done with Facebook', Anti Defamation League Leadership Award - 2019
Sacha Baron Cohen: 'Just think what Goebbels might have done with Facebook', Anti Defamation League Leadership Award - 2019
Greta Thunberg: 'How dare you', UN Climate Action Summit - 2019
Greta Thunberg: 'How dare you', UN Climate Action Summit - 2019
Charlie Munger: 'The Psychology of Human Misjudgment', Harvard University - 1995
Charlie Munger: 'The Psychology of Human Misjudgment', Harvard University - 1995
Lawrence O'Donnell: 'The original sin of this country is that we invaders shot and murdered our way across the land killing every Native American that we could', The Last Word, 'Dakota' - 2016
Lawrence O'Donnell: 'The original sin of this country is that we invaders shot and murdered our way across the land killing every Native American that we could', The Last Word, 'Dakota' - 2016