1998, ABC Studios, Ripponlea, Melbourne, Australia
Wonderful rant about horror movies and studio opportunism from a young Leigh Whannell, who was a movie reviewer on the Australian TV show Recovery. A few years later he took his own advice on horror scripting and created the mega successful Saw franchise with friend and fellow Australian James Wan..
It's movie time.
Jane Gazzo: It is.
Let's talk. Halloween, Part Seven. Horror. Horror. What are they saying? …
Okay, let's talk. Horror is a lot like heavy metal. I say this, it is because-
Dylan Lewis: Can you hear me?
Horror is a lot like heavy metal. Because-
Jane: Why?
Heavy metal, sorry, is always there. It never goes away. It's always just sitting there and every once in a while a heavy metal album crosses over and becomes a mainstream hit and everyone goes "Metal's back" and the heavy metal fans are like, "It was always there, man, I was always into it."
The other reason heavy metal is like horror, because only a true metal fan knows all the little subdivisions, black metal blah, blah blah. And the other reason it's like horror is because society genuinely views hardcore horror fans and hardcore heavy metal fans as a little nutsy cow, a little disturbed.
And that's a problem with Halloween 7 (H2O), it comes along after Scream, which was a huge hit and now all the moneymakers are like, "Okay, let's do one of those Halloween films… : It'll be a hit like Scream."
But all the horror fans who've been sticking through six films, well not part three, because that had nothing to do with Michael Myers, that was about a masked bird thing, but anyway, so five Michael Myers films-
Jane: Five!
And all of a sudden this movie comes along catering for people who are just walking in there for the first time. And the horror fans are like, "I know all this stuff." They're taking ages, setting up. Laurie Strode, Jamie Lee's character from the first one. All the horror fans they've sat through five movies before horror was cool. They sat through all that and then suddenly Scream comes out, now they have to reestablish a character for those who don't know. And they're sitting there and bleeding, that's what's the problem with this. Let me tell you how a slasher film works generally … This is how it generally works, with the famous graph. You've got a bit of boring stuff, then a death, then another bit of boring stuff and a death. Then another bit of character, in third character, boring stuff, boring stuff, maybe a bit of nookie, a death and then it all goes to the end. Now, what Kevin Williamson did when he wrote Scream was, all he did to make it a mega hit … All Kevin Williamson did to make Scream goodies, he made these bits [points to graph] in between the deaths, interesting! He made them like 90210, he put in good dialogue.
See in your usual slasher films, these bits are all crap and it's like, "Hurry up on the fast forward a bit and then kill." Kevin Williamson made these bits interesting, boom, Laurie goes through the roof. H2O and takes us back 10 years. All these bits are boring again, you're sitting there going, "What's going on? It's taking us back to the eighties." And as a horror fan, I was sitting there and I was very disappointed, they could have done more. The script was just appalling. As I said, those little bits were boring and unfortunately Halloween [H2O] doesn't make the grade. Let's have a look at it. Yo.